Most read articles by the same author(s)
- Samantha Marenzi, Anieka Leggett: an American in Florence between dance, theosophy and antifascism , Teatro e Storia: No. 46 (2025): Endgame
- Samantha Marenzi, Le Olimpiadi della grazia nella primavera fiorentina del 1931. Scheda , Teatro e Storia: No. 46 (2025): Endgame
- Matteo Casari, Monica Cristini, Samantha Marenzi, Gabriele Sofia, Introduction , Teatro e Storia: No. 40 (2019): «The Mask» and Other Misteries
- Matteo Casari, Monica Cristini, Samantha Marenzi, Gabriele Sofia, Introduction , Teatro e Storia: No. 41 (2020): Not to Die. Group Theatre, Translations, Craig
- Samantha Marenzi, The Vertical Line. Masaki Iwana and White Butō , Teatro e Storia: No. 44 (2023): Nostalgia for Paradise
- Samantha Marenzi, Simona Silvestri, 1896-1906. Two Illustrated Books Spanning Two Centuries and Straddling the Boundaries Between Art, Science and Performing Arts , Teatro e Storia: No. 43 (2022): The Voices of History
- Samantha Marenzi, Dance and Theosophy Against the Background of Fascism. Cesarina Gualino’s Training According to Her Letters from 1922-29 , Teatro e Storia: No. 38 (2017): Ghosts and Fascism
- Samantha Marenzi, Francesca Romana Rietti, Note 2. “Experiments in shared and modular artistic direction” – “Permanences’ at the Teatro Valle Occupato (October 2011–May 2012) , Teatro e Storia: No. 34 (2013): Rome, the Devil, the Periphery
- Samantha Marenzi, Francesca Romana Rietti, Note 1. A Year of Programming at the Teatro Valle Occupato (2011-2012) , Teatro e Storia: No. 34 (2013): Rome, the Devil, the Periphery
- Samantha Marenzi, Writing the Actor. A Dialogue between Gordon Craig and Arthur Symons , Teatro e Storia: No. 41 (2020): Not to Die. Group Theatre, Translations, Craig